Top 50 Jazz Blog

Top 50 Jazz Blog
Showing posts with label art blakey. Show all posts
Showing posts with label art blakey. Show all posts

Friday, July 24, 2015

Benny Golson Show

The Duplex Mystery Jazz Hour of 7.23.15 on WZBC.ORG, 90.3 featured Benny Golson, one of the most singular talents in jazz: tenor sax master, arranger and composer of some of the great jazz tunes: Stablemates, Whisper Not, I Remember Clifford...

Listen HERE.

PLAYLIST

Benny Golson Nonet "Whisper Not" from "Benny Golson's New York Scene" (Jazz, 1957) on Contemporary Records 

Benny Golson Quintet  "Something In B Flat" from "Benny Golson's New York Scene" (Jazz, 1957) on Contemporary Records 

Benny Golson Sextet "Step Lightly" from "The Modern Touch" (Jazz, 1957) on Riverside 

Benny Golson Sextet "Hymn To the Orient" from "The Modern Touch" (Jazz, 1957) on Riverside 

Art Blakey & The Jazz Messengers "Blues For Marcel" from "Des_Femmes_Disparaissent_(Soundtrack)" (Jazz, 1958) 

Benny Golson And The Philadelphians "Stablemates" from "Benny Golson And The Philadelphians" (Jazz, 1958) on United Artists 

Art Blakey and The Jazz Messengers "Along Came Betty" from "Moanin'" (Jazz, 1958) on Blue Note 

Art Farmer-Benny Golson Jazztet "Along came Betty" from "Another Git Together" (Jazz, 1962) on Mercury 

Benny Golson Quintet "A Bit of Heaven" from "Gone With Golson" (Jazz, 1959) on Prestige 

Benny Golson (solo) "You're My Thrill" from "Take A Number From 1 To 10" (Jazz, 1960) on ARGO 

Benny Golson (duo) "My Heart Belongs to Daddy" from "Take A Number From 1 To 10" (Jazz, 1960) on ARGO 

Benny Golson Quintet "Little Karin" from "Take A Number From 1 To 10" (Jazz, 1960) on ARGO 

The Jazztet "Farmer's Market" from "Jazztet at Birdhouse" (Jazz, 1961) on ARGO 

Annie Ross "Farmer's Market" from "Farmer" (1952) on Prestige 

The Jazztet and John Lewis "Milano" from "The Jazztet and John Lewis" (Jazz, 1961) on ARGO 

Benny Golson's Orchestra "You're Driving Me Crazy / Moten Swing" from "Pop+Jazz=Swing" (Jazz, 1962) on Audio Fidelity 

Benny Golson's Orchestra "Ornithology / How High The Moon" from "Pop+Jazz=Swing" (Jazz, 1962) on Audio Fidelity 

Art Farmer - Benny Golson Sextet "Killer Joe" from "Meet the Jazztet" (Jazz, 1960) on ARGO 

Manhattan Transfer "Killer Joe" from "Vocalese" (Jazz, 1985) on Atlantic 

Benny Golson Quartet "Mad About the Boy" from "Free" (Jazz, 1963) on ARGO 

Benny Golson And The International Jazz Orchestra "Stockholm Sojourn" from "Stockholm Sojourn" (Jazz, 1964) on Prestige 

Benny Golson Sextet "If I should Lose You" from "Just Jazz" (Jazz, 1962) on Audio Fidelity 


Friday, January 16, 2015

The Horace Silver Show


On the Duplex Mystery Jazz Hour, January 15, 2015, two hours of pianist, composer, bandleader Horace Silver, with bio info and occasional musical analysis by the host, whoever that is.


Listen to the show.


PLAYLIST:

Stan Getz Quartet "Tootsie Roll" (1950) on Roost 

Stan Getz Quartet "‪Strike Up the Band‬" (1950) on Roost 

Stan Getz Quartet "‪Split Kick‬" 1951) on Roost 

Horace Silver Trio And Art Blakey "Opus de Funk" from "Horace Silver Trio And Art Blakey" (1953) on Blue Note 

Art Blakey Quintet "Wee Dot" from "A Night At Birdland With Art Blakey Quintet, Vol. 2" (1954) on Blue Note 

Art Blakey Quintet "Blues" from "A Night At Birdland With Art Blakey Quintet, Vol. 2" (1954) on Blue Note 

Art Blakey Quintet "The Way You Look Tonight" from "A Night At Birdland With Art Blakey Quintet, Vol. 2" (1954) on Blue Note 

Horace Silver And The Jazz Messengers "The Preacher" from "Horace Silver And The Jazz Messengers" (1954) on Blue Note 

Horace Silver Quintet and Jon Hendricks "The Preacher" from "Horace Silver Quintet and Jon Hendricks" (1968) 

Horace Silver And The Jazz Messengers "Doodlin" from "Horace Silver And The Jazz Messengers" (1954) on Blue Note 

Lambert, Hendricks & Bavan "Doodlin" from "Lambert, Hendricks & Bavan" (1963) on RCA Victor 

Harold Land Sextet "west Coast Blues" from "West Coast Blues" (1960) on Jazzland 

Harold Land Sextet "Compulsion" from "West Coast Blues" (1960) on Jazzland 

Horace Silver Quintet "Strollin" from "Horace-Scope" (1960) on Blue Note 

Horace Silver Quintet "Sister Sadie" from "Doin the Thing" (1961) on Blue Note 

Horace Silver Quintet "Nica's Dream" from "Horace-Scope" (1960) on Blue Note 

Horace Silver Quintet "Filthy McNasty" from "Doin the Thing" (1961) on Blue Note 

Horace Silver Quintet "Cookin at the Continental" from "Finger Poppin" (1959) on Blue Note 

Horace Silver Quintet "Come on Home" from "Finger Poppin" (1959) on Blue Note 

Horace Silver Quintet "Song for my Father" from "Song for my Father" (1964) on Blue Note 

Horace Silver and the Sllver Brass Ensemble "The Hillbilly Bebopper" from "It's Gotta Be Funky" (1993) on Sony

Horace Silver Quintet "Red Beans and Rice" from "Pencil Packin' Papa." (1994) on Sony 

Tuesday, December 4, 2012

1950's Trumpets #3: Joe Gordon

Joe's one of our (Boston) boys. His career exemplified some of the larger themes of 50's trumpet playing: an early start, bop influence, big band experience, adaptability in various musical situations and on the down side: heroin addiction and early death.

Born 5/15/28, Gordon got early exposure to classical music through his mother, an amateur singer. He heard the Basie band, then a Coleman Hawkins/Don Byas group when he was a teen and signed on for a class in "modern music" at the New England Conservatory.

In his late teens, he worked on the railroads as a sandwich boy and jammed at various stops during layovers. His first formal gig was in 1947 with vibes player Pete Diggs in Akron(Pete Diggs?). 

Boston's main man Sabby Lewis heard Joe in Boston and invited him into his big band. Joe's name got out there and in 1951 he played his first recording session with Boston alto player Charlie Mariano. Though it's tempting, I won't play "Tzoris" ("Pack Up Your Troubles in an old Kit Bag").  I'll play the title track, "Boston Uncommon." Personnel is: Charlie Mariano (as), Jim Clark (ts), George Myers (bar), Joe Gordon (t), Sonny Truitt (tb), Roy Frazee (p), Jack Lawlor (b), Gene Glennon (d)

It's a nice arrangement, right out of Birth of the Cool and the sound developing simultaneously on the West Coast. Gordon's solo is well-articulated and constructed, with nice little vibrato flourishes at the end of some phrases.