Top 50 Jazz Blog

Top 50 Jazz Blog
Showing posts with label Ira Sullivan. Show all posts
Showing posts with label Ira Sullivan. Show all posts

Friday, March 18, 2016

St. Paddy's Jazz Show


Many Irish-Americans have been great jazz players. A partial list would include: Jimmy and Tommy Dorsey, Bunny Berigan, Larry Binyon, Dick McDonough, Chauncy Morehouse. Spike Hughes. Bill Harty. Jimmy McPartland. Muggsy Spanier. Eddie Condon. Joe Sullivan. Lou McGarity. Corky Corcoran. Joe Mooney. Zoot Sims. Anita O'Day. Gerry Mulligan, Dave McKenna, Jim Lanigan, Sam Donahue, Harry James, Brian Lynch, Kenny Davern, Snoozer Quinn, Joe "Red" Kelly, "Peck" Morrison, Joe Sullivan, Turk Murphy. Buzzy Drootin , Ed Shaughnessy...

The DuPlex Mystery Jazz Hour of 3.17.16 featured some of these folks.

LISTEN HERE

Red Nichols "Rose of Washington Square" from "Basin St Blues" 1929 on Fabulous

Husk O'Hare and His Footwarmers "My Daddy Rocks Me" from "The Austin High Gang" 1928 on MCA

Red Nichols 'n His Five Pennies "I'm Just WIld About Harry" from "Basin St Blues" 1930)

McKenzie and Condon's Boys "Jazz Me Blues" from "The Austin High Gang" 1928 on MCA

The Charleston Chasers "Beale St Blues" from "Basin St Blues" 1931

Eddie Condon's Friends "Blues My Naughty Sweetie Gave to Me" from "Condon's World of Jazz" 954 on CBS

The All Star Band "The Blues" from "Basin St Blues" 939 on Fabulous

Dorsey Brothers Orch. "Dr. Heckle and Mr. Jibe" from "Condon's World of Jazz" 1933) on Brunswick

Chris Connor "Everything I Love" from "Chris Connor" (Jazz, 1957) on Bethlehem

LP Billy Taylor "So In Love" from "Billy Taylor Introduces IRA Sullivan" 1956) on ABC-Paramount

Chris Connor "All About Ronnie" from "Chris Connor" 1957 on Bethlehem

Bobby Hackett "Swing That Music" from "Live at the Roosevelt Grill" 1969 Phontastic

Bob Haggart & Buzzy Drootin "Big Noise From Winnetka" from "Newport Jazz Fest" 1964

Gene Krupa w. Anita O'day "Let Me Off Uptown" from "Drummer Man"  1956 on Verve

Benny Goodman w. Harry James "Peckin'" from "Great Jazz Brass" 1937  on RCA Camden

Brian Lynch "Tribute To Blue (Mitchell)" from "Tribute to Trumpet Masters" (Jazz, 2005) on Sharp Nine Records

Thursday, April 29, 2010

A Jazz Rarity: Successful Doublers.

I suppose we should define our terms. One definition of doubling is that a person play various saxes and flute. Kudos to you guys, but that's out-those axes are all too close. It's expected (sorry, Rahsaan). Next, there are people who play credible piano, apart from whatever horn they play. You really have to play some piano anyway, so forget that. Then, there are those people who play "lower brass," meaning trombone and tuba/euphonium. This is a little more like it, as you have to master both slide and valves. But, still not enough (sorry Howard J.). And, in this context, singing just don't count. No, I'm talking about musicians who master instruments from two completely different families: trumpet, reed, percussion and strings. With this, we've narrowed the field down from millions to just a handful. This is difficult enough to do that these people qualify as freaks of jazz nature. I know I'll get in trouble with some folks by (they will say) putting a premium on virtuosity over expressiveness. Probably the key person in that conversation is Ornette and to that I say-sometimes yes, sometimes no, but without the technique, it's hit-and-miss. With the people I'm talking about, it's almost always hit. I'll start with Ray Nance (aka "floorshow"), a man who played sweet violin, trumpet and danced, as his boss might say, divinely. Here's Ray soloing on violin and playing w. Duke's trumpet section. Then you got Benny Carter, basically a contemporary of Nance, who, aside from writing and arranging, played beautiful alto and very credible trumpet-really knew his way around the instrument. How about Jimmy Dorsey, who started on trumpet and moved to reeds, but managed to retain his trumpet chops. Here's a page of Dorsey stuff. Bobby Hackett, whom we know as a fabulous cornet player actually started as a guitarist. I'm gonna pair him with Adrian Rollini, a fine bass sax player who doubled on vibes. Here the 2 of them are together. Slightly younger than the above and on the Latin side was Mario Rivera, who played w. Machito, Stitt and many others. There was no family of instruments this guy did NOT play. Go here for videos. I'm learning nobody likes a long post, so I'll end here. However, I got half a dozen more, including Gowans, Wetmore, Durham and one more, who I believe is the best of them all. If you got anyone who deserves to be with this august group, let me know.