Friday, May 24, 2013

Duplex Mystery Hour: Jelly Roll Morton

The Duplex Mystery Jazz Hour (6-7 PM, WZBC 90.3; stream: WZBC.org) is starting a new series  "I Know the Name, but Why Should I care?" If you have any ideas about whom I should feature in upcoming shows, please let me know.


Playlist
NORK "Sobbin Blues" from "Sobbin Blues" (Single, Jazz, 1923) on Gennett

Jelly Roll Morton "Grandpa's Spells" from "Grandpa's Spells" (Single, Jazz, 1923) on Gennett

Jelly Roll Morton "King Porter’ Stomp" from Library of Congress recordings, 1938 (with Morton talking).

Edmonia Henderson "Jelly Roll Blues" from "Jelly Roll Blues" (Single, Jazz, 1924) on Gennett

Jelly Roll Morton And His Red Hot Peppers "Blackbottom Stomp" from "Blackbottom Stomp" (Single, Jazz, 1926) on Victor

Jelly Roll Morton & His Red Hot Peppers "Sidewalk Blues" from "Sidewalk Blues" (Single, Jazz, 1926) on Victor

Jelly & Roll Morton's Red Hot Peppers "Dr. Jazz" from "Dr. Jazz" (Single, Jazz, 1926) on Electrola

Jelly Roll Morton & His Red Hot Peppers "Kansas City Stomp" from "Kansas City Stomp" (Single, Jazz, 1928) on Bluebird

Jelly Roll Morton And His Orchestra "Courthouse Bump" from "Courthouse Bump" (Single, Jazz, 1929) on Victor

Jelly Roll Morton And His Orchestra "Pretty Lil" from "Pretty Lil" (Single, Jazz, 1929) on Victor

Jelly Roll Morton "Finger Buster" from "Finger Buster" (Single, Jazz, 1938) on US Recording

Jelly Roll Morton "Creepy Feeling" from "Creepy Feeling" (Single, Jazz, 1938) on Blue Star

Jelly Roll Morton's New Orleans Jazzmen "Oh Didn't He Ramble" from "Oh Didn't He Ramble" (Single, Jazz, 1939) on RCA

Jelly Roll Morton "Spanish Swat" from "Spanish Swat" (Single, Jazz, 1938) on Library of Congress

Tuesday, May 21, 2013

A Duplex Mystery Trombone Show

The Duplex Mystery Jazz Hour with Steve Provizer 05/16/2013 06:00PM to 07:00PM


Miff Mole "Sugar Foot Strut"(1927) on Columbia 
Jack Teagarden "Shine"  (1940) on Hot Record Society
 Glenn Miller "Swanee Shuffle" (1929) on Columbia
Jack Teagarden "Pitchin" (1940) on Commodore
Red Allen "Struttin w. Some Barbq" from "At Newport" (1957) on Verve 
Bennie Green "Euphoria"(1948) on Decca
Oscan Pettiford "Rhumblues" from "Sextet" (Jazz, 1954) on Vogue 
Matthew Gee solos on King Pleasure's "Don't you Worry About Me" from "Golden Days" (Jazz, 1960) on Hifi Jazz 
Curtis Fuller "Rock and Troll"(1957) on Prestige
Bob Brookmeyer "I Believe in You" (Single, Jazz, 1960) on Verve 
Claudio Roditi "Estamos Ahi" from "Live at Keystone Korner" (Jazz, 1983) on Cbs (US) 
Roswell Rudd "Pannonica" (1965) Video
Phil Wilson "Let's Fall in Love" from "Accentuate The Positive" (1995) on Seaside 

Friday, May 3, 2013

Miles, Bird, Armstrong Simulacrum Kits

The marketing orgy at Brilliant Corners Merch, Inc. marches on!
Inspired by the Thelonius Monk Round Midnight watch, we provided SimulacrumKits@ for Louis Armstrong and Charley Parker (see below). Once more, we have forged an unholy metaheuristic liaison, this time with a coven of disaffected Tampa Bay cheerleaders and created The Deluxe Miles Davis Simulacrum Kit. As with all our kits, it allows you to really "get next" this greatest of jazz improvisers. It includes:
1. Discarded Harmon mute stems (8)
2. Alimony check receipts (too many to count)
3. Harem pants (assorted colors)
4. Two roaches from Ferrari 275 ashtray (Davis ownership certified by Price Waterhouse)
5. 1944 Julliard Conservatory of Music freshman beanie
6. 1954 mash note from Bob Weinstock
7. Kind of Blue limited edition totebag
  
If the Davis Estate lawyers come  a-knockin', we're readin to start rockin'!
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Last summer, inspired by the alliance between Sony and the Miles Davis estate which offered a mouthpiece replica, t-shirts and other fascinating items, we created our own Louis Armstrong Simulacrum Kit. And, we couldn't keep 'em in stock!

Always eager to cater to the whims of the insatiable jazz consumer, we have forged a metaheuristic liaison with a clutch of Ukranian businessmen and created The Deluxe Charlie Parker Simulacrum Kit. It includes:
  1. A dental x-ray showing Bird's "upper partials."  
  2. A yardbird wing from 1941, preserved in formaldehyde and the wheel from the band bus that probably crushed it.
  3. A bottle of Gordon's gin salvaged from the wreckage of the old Birdland, with a letter of provenance from Willy's Liquor Store on 44th St.
  4. An early brochure from the Camarillo Chamber of Commerce
  5. A box of Dean Benedetti out-takes (so unlistenable that even Ross Russell wouldn't release them, but still...)
  6. One oboe reed with a imbedded Mitch Miller moustache hair.






And, for the first 20 buyers, we will throw in shards from the cymbal thrown by Jo Jones in the infamous jam session incident (verification pending).

So act now. Our 'operators' are standing by.
And, as we always say, "it's not re-animation, but it's pretty damn close."

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Some have castigated the recent alliance between Sony and the Miles Davis estate which offers "A mouthpiece replica of exactly the 'Gustat' Heim 2 model used by Davis especially created by Kanstul," t-shirts and other fascinating items. They even throw in 43 cd's. In fact, those corporate giants don't go nearly far enough in offering a package that can truly bring fans closer to their favorite artists. We have therefore forged a metaheuristic liaison with several Baltic-area businessmen and are delighted to offer the Deluxe Louis Armstrong Simulacrum Kit, composed of:
  1. A copy of the gun Armstrong shot off to get sent to the Colored Waif's Home for Boys.
  2. A facsimile of the original sisal belt Armstrong used to hold up his pants while delivering coal.
  3. A lump of coal.
  4. Two half-used packages of Swiss Kriss.
  5. A set of 10 designer "do-rags" created in honor of Satchmo's 100th anniversary.
  6. An "I Hate Bebop" pin, allegedly worn by Armstrong at an Elks Club meeting in Sept. 1952.
  7. A glassene envelope containing a half ounce of muggles that Armstrong forgot he even had.
Act today and we will throw in a re-engineered recording of Armstrong's solos with the King Oliver band, with the rest of that rickety group stripped off and replaced by the same excellent studio musicians Clint Eastwood used to replace Potter, Roach and Haig in the movie "Bird."  Act now. Our 'operators' are standing by. It's not re-animation, but it's pretty damn close.