Songs That Deeply Move

After my recent interview with Sheila Jordan, Jeff Turton made this comment: "She sang at my wedding and I always loved "You Are My Sunshine..."[see below]. I asked if she would sing it but she told me that she wouldn't sing it because to her it was a sad song. Growing up it was always a song that they sang when there were problems in the mines and lives were lost, which happened on a regular basis back then... Since that time I have never heard the song in the same way and I now hear that sadness in her voice."

There are often universal, or at least consensual emotional responses to music. Minor and major are more than just the mechanical act of flatting the third. But, we always bring our own backstory too, sometimes conscious, sometimes not and once in a while we are blindsided by our own reaction and deeply moved by music that other people find merely "pleasant," or "well-crafted."  

Abbey Lincoln

I'm not talking about the effect of music at the transcendental end of the spectrum-Coltrane, Pharoah Sanders and others. That music summons up large vistas and profound cosmic spaces. The songs I allude to here move us to a very personal inner space and often, a deep melancholy. Sometimes we understand why this happens, as in Jeff's story above; sometimes not. The fact that we may not know why we are emotionally stirred seems to deepen the experience.

In "Dinji," from Wayne Shorter's "Super Nova" album, a very personal vocal by Maria Booker is bookended by music evoking a wider, more cosmic palette. This deepens the effect of the vocal, which enters at about 4:00.

In the LP "Clap Hands, Here Comes Charlie," comes Ella with "Good Morning Heartache," a beautiful marriage of music, lyric and musician. No surprise at its effect.

Here's "You Are My Sunshine," off the album "The Outer View." The arrangement George Russell wrote showed that he grasped the many layers of subtext in the song and Sheila Jordan's relationship to it.

Rahsaan and "A Laugh for Rory." Why this song? I'm not sure, but the combination of the real child's voice, the bubbling lightness of the head contrasted with the dramatics of the solos tripped a wire in me.

Finally, the song with a mojo that struck me like thunder is "Throw It Away," by Abbey Lincoln from "A Turtle's Dream." Why? I'll let the mystery continue to breathe.

Talking With, Listening to Sheila Jordan

It was my pleasure to play music by Sheila Jordan and interview her on the Duplex Mystery Jazz Hour of 11.13.14.

You can get her biography "Jazz Child," written by Ellen Johnson here.

The first 15 minutes are music, the next 35 or so are the interview and the last 10 are more music. Enjoy.

Here's the Program.

PLAYLIST
"Hum Drum Blues" from "Portrait of Sheila"  1962 on Blue Note
"The Bird / Tribute (Quasimodo) / Embraceable You" from "I've Grown Accustomed to the Bass" 1997 on Highnote
"Fred Astaire Medley" from "The Very Thought Of Two" 1988  on MA
"Dat Dere" from "Portrait of Sheila" 1962  on Blue Note
"What Are You Doing For The Rest Of Your Life" from "Body and Soul" 1986 CBS Sony Records
"Anthropology" from "Lost And Found" 1989 on Muse